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Railsea
 
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Railsea [Formato Kindle]

China Miéville

Prezzo edizione digitale: EUR 8,05 Cos'è?
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Descrizione prodotto

Sinossi

On board the moletrain Medes, Sham Yes ap Soorap watches in awe as he witnesses his first moldywarpe hunt. The giant mole bursting from the earth, the harpoonists targeting their prey, the battle resulting in one’s death and the other’s glory are extraordinary. But no matter how spectacular it is, travelling the endless rails of the railsea, Sham can't shake the sense that there is more to life. Even if his philosophy-seeking captain can think only of the hunt for the ivory-coloured mole she’s been chasing – ever since it took her arm all those years ago. When they come across a wrecked train, at first it's a welcome distraction. But the impossible salvage Sham finds in the derelict leads to considerably more than he'd bargained for. Soon he's hunted on all sides: by pirates, trainsfolk, monsters and salvage-scrabblers. And it might not be just Sham's life that's about to change. It could be the whole of the railsea. Praise for China Miéville: ‘Fiction of the new century’ Neil Gaiman ‘Miéville’s work is thrillingly imaginative … immensely witty and utterly unforgettable’ Scotland on Sunday ‘One of the most imaginative young writers around in any kind of fiction’ Guardian ‘Miéville’s imagined societies may be fantastic, but they are utterly coherent . . . wonderfully infectious’ Daily Telegraph

Dettagli prodotto

  • Formato: Formato Kindle
  • Dimensioni file: 741 KB
  • Lunghezza stampa: 384
  • Numeri di pagina fonte ISBN: 0230765106
  • Editore: Tor (24 maggio 2012)
  • Venduto da: Amazon Media EU S.à r.l.
  • Lingua: Inglese
  • ASIN: B007WTR29O
  • Da testo a voce: Abilitato
  • X-Ray: Non abilitato
  • Posizione nella classifica Bestseller di Amazon: #64.478 a pagamento nel Kindle Store (Visualizza i Top 100 a pagamento nella categoria Kindle Store)

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Amazon.com: 4.2 su 5 stelle  81 recensioni
97 di 106 persone hanno trovato utile la seguente recensione
5.0 su 5 stelle one of my top reads of 2012 15 maggio 2012
Di H. Frederick - Pubblicato su Amazon.com
Formato:Rilegato
I'm not going to lie and say that Railsea is a book I will be recommending to all readers, but I will, with certainty, be recommending it to anyone and everyone I think would enjoy it. Railsea isn't what anyone expects to see under the `YA' label. Many have argued that it isn't really YA at all, but when a book is pitched as `a novel for readers of all ages', I don't think it's really trying to be. Given its content, I think that `a novel for readers of all ages' is the perfect description for Railsea. It will appeal to Miéville's adult fanbase, as well as make him more accessible to younger readers. The teens who will fall in love with Railsea will be those who probably read a lot of adult sci-fi or fantasy already; they will be smart, appreciate a wry sense of humor, and have a wonderful sense of adventure. Readers must be patient getting into this one, as it will take you a while to feel entirely at ease with the language and story, and to understand the world that Miéville has built, but I assure you that it will be worth the effort.

As China Miéville has said himself: "Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they're not absurd." I couldn't possibly describe Railsea in a more accurate sentence. Railsea is ridiculous, but the respect and authority that Miéville gives to his characters in the story therein left me completely enraptured, enamored, and on the edge of my seat wanting more. To me, Railsea was hilarious. I was constantly laughing out loud in the way that you laughs at someone who you are never quite sure recognizes how clever they are. I was initially worried that I would be bogged down in the language, but instead I found myself languishing in it, making Railsea one of the more literary works I have read for some time.

However, the best part of Railsea is the story that is found within all of this. Railsea is a sort of Moby Dick retelling, but readers shouldn't go in thinking this will be all about a captain balancing on the edge of sanity pulling all the stops to bring down the big one. That's only part of the tale. In fact, our focus isn't the captain at all, it is Sham ap Soorap, who dreams of a life more exciting than that of a doctor's assistant aboard a moler, and gets it. It's the story of a sort of treasure map, a high seas adventure, and an escapade to the very ends of the earth.

Now, those readers who love a focus on excellent world building and plot--Railsea is for you, but for those of you who are all about character development, you may not approve. It's not that the characters are shallow, but Railsea is not a book where we get strong images of the characters' emotions. And personally, I didn't feel like anything was missing despite this. The world of Railsea, with scavengers, pirates, and hunters riding the railsea on trains rather than ships made me think of a futuristic old west, kind of like a more localized take on Joss Whedon's Firefly. Add to that giant vermin such as fanged meerkats or predatory chipmunk packs living under the land of the rails, and you have some pretty terrifying imagery going for you. In addition, Railsea contains a number of illustrations of the creatures described, drawn by the author himself. I loved seeing them in detail, though I'll admit I craved to see some of the drawings that Sham himself had done, or others depicting the railsea.

I'm always impressed when an author writes a book so utterly un-sexist, that traditional gender divisions aren't even a thought. As was the case with Railsea. Gender roles are never even alluded to, it is just a part of the world that women do the exact same jobs as men, and nothing whatsoever is thought about this. Our captain, Naphi, is a woman whose life philosophy has become killing Mocker-Jack, the Mole of Many Meanings. And she's not the only strong woman about, there's scrappers, molers, and Caldera Shroake making Railsea a book that spreads the crazy, savvy, and skill all over.

I realize I haven't talked overly much about the plot, but the reality is, you don't want me to. You want to dive into the unknown of the Railsea with as few preconceived notions of the plot as possible. This is one of those books I loved, but about which I still have a hard time adequately formulating my thoughts into words. While I have tried to express that this is not for everyone, I have to stress that those that click with Railsea will really click. This will certainly be one of my top reads of 2012.
26 di 30 persone hanno trovato utile la seguente recensione
5.0 su 5 stelle What did I just read -- and why is it over? 23 maggio 2012
Di Carey C. Newhouse - Pubblicato su Amazon.com
Formato:Rilegato|Acquisto verificato Amazon
It's a bit difficult to describe my feelings about Railsea.

Allow me to illustrate my problem: I can't figure out what the book is supposed to be. Is it an allegory about corporate greed, about the toll humanity takes on the world around us? It seems so. Is it simply a weird adventure, written from an absinthe dream after falling asleep reading Moby Dick? It easily could be.

It could be that the entire story was an excuse to hurl the reader into this world of water-less ports and sea-less monsters -- it's as good a reason as any, I suppose.

And that's the problem with Railsea: I have no idea what I've just read. I have no idea what I was supposed to get out of it.

But of course, this could be purposeful: in a (spoiler-free) way, I'm mirroring the journey of the book's protagonist, Sham. You see, that's the true wonderful nature of the book -- it presents a world of mysteries, full of people working to solve them.

The intrepid captains who hunt their philosophies (in the form of giant burrowing monsters who represent life-lessons and principles in the eyes of the hunters) are trying to solve the mysteries of their own lives. The brave updivers, who struggle to discover what lies abandoned in the alien-infested cliffs and poisonous air of the upsky. It seems that everyone in the Railsea is looking for information about their surroundings.

So is it an adventure about a boy? An exploration of a setting? A cautionary tale?

It shifts. Near the beginning of the book, during the opening mole-hunting scenes, I was truly reminded of Moby Dick -- and yearned to re-read it, for a very brief time, until the upsky began to get attention, and the cast-off artifacts of alien visitation. Then, I wanted to reread Roadside Picnic. Of course, eventually it all collapses in on itself, and I realized that what I really wanted was a longer book, or another book -- anything to stay in the world longer. After all, this is a Mieville book, and if he is truly great at anything, it is making the weird feel familiar -- his worlds have an authenticity.

Whatever you see in this book when you reluctantly close it, you will be happy that you read it.
11 di 11 persone hanno trovato utile la seguente recensione
4.0 su 5 stelle Slow to start but grabs you midway and doesn't let go 29 giugno 2012
Di Laurie A. Brown - Pubblicato su Amazon.com
Formato:Rilegato
I have to admit that I had a hard time getting into this book at first; in fact, I almost gave up on it. Not because the world was strange- all worlds Mieville builds are strange. It just didn't click with me. But I'm glad I hung on, because around about the middle, things picked up and then I couldn't put the book down.

The world of Railsea is even weirder than most of Mieville's worlds; except for in the cities, the ground cannot be walked upon. Spaces between cities are covered with train tracks that weave, cross, bend, intertwine, join and change gauge with abandon. Step off those tracks, and you risk attracting the attention of the giant, carnivorous, burrowing critters: beetles, worms, moles, tortoises, owls and others. As on the world of `Dune', human footsteps draw danger. Even the trains are vulnerable to attack by these 1960s Japanese horror movie monsters. This is a world of ecological ruin, one where technology ranges from wind powered to steam to diesel to nuclear and where the cities seem to be some combo of Mad Max and Lankhmar.

The book has multiple plotlines; in one, the captain of the Medes, a mole hunting train, is minus an arm and searches for the taker, a gigantic white mole; in another, the main character Sham Yes ap Soorap ("Call me Sham") seeks to tell a pair of children about the fate of their parents; while the semi-orphaned children seek to complete their parents goal, all dovetailing into one wild, breathless finale. The characters are likable, although none are really deep; Sham is the most fully realized as more time is devoted to his story than the others.

The book is hard to pigeonhole: part science fiction, part fantasy, part dystopian fiction, part satire; I think the best term might be `salvage punk'. Grittier, dirtier and wilder than steampunk, surviving in a harsh world by cobbling things together. If any of these things appeal to you, I highly recommend it to you. Just don't give up on the first part; it gets amazingly better.

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