- Copertina rigida: 258 pagine
- Editore: Guggenheim Museum Pubns; 01 edizione (5 marzo 2012)
- Lingua: Inglese
- ISBN-10: 0892074248
- ISBN-13: 978-0892074242
- Peso di spedizione: 1,4 Kg
- Posizione nella classifica Bestseller di Amazon:
Rineke Dijkstra: A Retrospective (Inglese) Copertina rigida – 5 mar 2012
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I'm also a fan of Rineke Dijkstra. I've been following her career for over 10 year and have most of her previous books. Nick is right about one thing: this book is very different from the Schirmer Mosel/D.A.P. monograph or the LaSalle Bank monograph of recent years. It has a much more contemporary feel, which I personally love. It is board book as opposed to a traditional jacketed hardcover. It is a very light object, but yet densely illustrated. There were several papers used, which I'm sure comes at an added expense. The essays are on a somewhat lightweight and uncoated stock (hardly "toilet paper") but there is MIMIMAL bleeding.
The plate section is fantastic and the printing is GORGEOUS. They printed it at Conti in Italy, who does fantastic work when it comes to art books. I'm not sure what Nick is talking about when he refers to pixilation. Perhaps he means the video stills that are reproduced. The reason they look that way: they are video stills. There is no unwarranted pixilation in this book.
This is the most definitive book on Dijkstra' s work to come along and I think it is equally strong in terms of design, production, and content. Just because one "fan" of the artist doesn't like this book doesn't mean potential future fans should be turned off by what I feel is a very unfair review. If you are interested in Dijkstra and want a book on her, BUY THIS WITH 100% CONFIDENCE. Or try to buy a copy of her older books which are all out of print at a significantly higher cost.
The majority of the book is printed on a decently thick sort of semi-luster paper to nice effect. Each photo is given its own page and this is just the way I like. There is also a series of people dancing oddly reproduced on cheaper and inferior paper stock. It appears out of place in the book but is not too bothersome. Thankfully there are no double page photo spreads (the bane of my existence). The reproduction quality of the prints in the book is very good for the price. I've seen plenty of books with poorer reproduction priced around the same.
While I haven't completely digested the text I can say from what I have read there is some interesting and insightful commentary inside. If you are a fan of Dijkstra and have yet to purchase a book of hers don't hesitate to start here.
This book is both beautiful and informative, and I highly recommend it for any fans of contemporary photography and portraiture.
One thing to note, this book has a cardboard binding, i.e. not standard book with dustjacket. It's a very clean design and look, but the edges to have a tendency to get a bit dented - be forewarned!
The big surprise for me was how perfect the interviews, essays, et cetera were, and normally I don't enjoy that at all for art.
What a surprise to hear from the people photographed about the photograph, half-a-lifetime after.
For what you pay, you get quite a selection of photographs. A few of these I would gladly frame.
Dijkstra, one cannot afford to ignore: her photographic "voice" deserves to be listened to; she is an honest artist.