- Copertina rigida: 143 pagine
- Editore: Insight Editions; 01 edizione (1 novembre 2016)
- Lingua: Inglese
- ISBN-10: 1608878880
- ISBN-13: 978-1608878888
- Peso di spedizione: 1,3 Kg
- Media recensioni: 5.0 su 5 stelle Visualizza tutte le recensioni (1 recensione cliente)
- Posizione nella classifica Bestseller di Amazon:
The Art of the Iron Giant (Inglese) Copertina rigida – 1 nov 2016
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Ramin Zahed is the editor in chief of Animation Magazine. A journalist who has covered the film and television industries for over twenty years, his writing has appeared in Variety, the Hollywood Reporter, the Los Angeles Times, and Movieline. He lives in Los Angeles.
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Many other reviews complain a poor print quality, however I found it very good. The book is full of images of sketches, paintings and all sort of drawings typical of every "The Art of..." from Pixar and Disney movies.
I highly recommend this precious edition to all those who love the Iron Giant :)
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I would have been thrilled with seeing the final movie art direction - not all of their failed attempts before getting it right. The book is basically filled with the art that didn't make it. Can't win them all!
I looked through it over dinner. Felt like something was missing. I think it was not the best idea to feature so much bad art that was done before Brad Bird came to the project. I also felt like they should have included more of the beautiful background paintings that were done for the film. Also, the color script pages were dark and unclear.
I'm a little disappointed.
The book begins with a foreword by director Brad Bird, who writes about his involvement in the project. The text then discusses the challenges of the film, with focus on the design and animation processes. The artwork in the book varies greatly -- some of it is from a previous incarnation of the film that was planned prior to Bird's involvement; and then obviously the artistic progression into the final visual style you recognize on-screen. Those who know the film will know that it has a unique look which blended a computer generated 3D-character and a traditional 2D environment.
The Iron Giant himself went through various design iterations, and it's fun to see what could have been. Many of the designs are cool-looking, but the final design also gives the character a real personality. Additional chapters show the art of the human characters, as well as the settings in the film (including Hogarth's house and the power plant). Finally, the book concludes with a look back at the legacy of the film and an appreciation of the artists involved in making it a reality. Dozens of team members recall their experiences - including storyboard artists, animators, and composer Michael Kamen.
This is one of those few books that will likely rise greatly in value over time. Sometimes I recommend waiting to buy art books for a few months until the retail price drops and remainder copies go on sale - but in this case I recommend picking this one up as soon as possible because a fresh new copy may be difficult to find down the road (Amazon is already showing a 1-2 month backorder at the time of this review).