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Emotions


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CD audio, 1 gen 2000
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Amazon.com: HASH(0x9de28150) su 5 stelle 12 recensioni
8 di 8 persone hanno trovato utile la seguente recensione
HASH(0x9e4283fc) su 5 stelle Much Better Than Its Reputation! 1 settembre 2005
Di Morten Vindberg - Pubblicato su Amazon.com
Formato: Audio CD
Emotions was the third Pretty Things album, and it was radically different from the previous two, which were more or less typical British rhythm`n blues albums. On the second album "Get The Picture" they had already shown that they were very skilled songwriters, but with "Emotions" their musical ambitions led them into experiments with orchestral arrangements - or was it the record company that wanted to change their image? The album has often been criticized for being ruined by these Reg Tilsley strings and brass arrangements.

I agree that on some tracks these "outside" instruments do remove focus from the band and their music, but actually I think the album has aged very well. This is also due to some fine songwriting and great vocals from Phil May.

"Death of a Socialite" is a strong opener, great tune and vocals, and apart from the ending I think the arrangements works fine!

The single "Children" is a great catchy psychedelic-type song, practically Pretty Things with no "outside" interference. It was a minor hit in Denmark, and remember it being played regularly on Danish Radio.

"The Sun" is a quiet ballad. A version without strings is added as a bonus-track, so you can compare which you prefer. Personally I think I prefer the original strings-version, but both are great.

On "There Will Never be Another Day" the added instruments sound completely out of place; so it`s great that there is an undubbed version added. Probably one of the weakest tracks, though.

"House of Ten" is another fine quite number. The strings support the song discretely.

"Out in the Night" is not among the best songs, and the brass, makes it a track that I prefer jumping over. it would have been interesting to have this song with the Pretty Things alone.

"One Long Glance" is untouched by Tilsley; a good song that could have been from "S.F. Sorrow".

"Growing in My Mind" is another fine ballad.

"Photographer" is a Chuck Berry-type rocker; again the brass arrangement sound out of place, and again the "clean" version can be found among the bonus-tracks.

Unfortunately "Bright Lights of the City" cannot be found without orchestra. Could have been a much better track.

"Tripping" is "untouched" and a good song, sounds a lot like early Rolling Stones.

The original closing track "My Time" is more or less spoiled by brass-overdubs; thankfully a version without them had been added.

Besides the undubbed "Emotions" tracks, two more single-tracks have been included. Their great cover of the Kinks` "House in the Country" and their own minor hit-single "Progress" - also in an alternate version.
6 di 6 persone hanno trovato utile la seguente recensione
HASH(0x9e428450) su 5 stelle Underrated; The Bonus Tracks Redeem Lost Curiosity 25 agosto 2000
Di Michael Topper - Pubblicato su Amazon.com
Formato: Rilegato in vinile
Although almost universally slammed as one of their weakest albums, I liked The Pretty Things' "Emotions" from the first moment I bought it on used vinyl. Maybe it's my weakness for transitional Britpop albums from the 66-67 period, where groups began to trade in their rawer mod outlook for something altogether more sophisticated and experimental--where remnants of the old aggressive sound mingled with tentative attempts at psychedelia, literary pop and everything in-between, without yet embracing the full-blown psych of the post "Pepper"/"Piper" era. To be sure, The Pretties' album was one of the weaker efforts from this fascinating period: surrounded by conceptual masterpieces like "Aftermath", "Revolver", "Face To Face", "Sunshine Superman", "A Quick One", "Between The Buttons" and "Roger The Engineer", it reveals what can go wrong with these kinds of transitional steps. To put it bluntly, the string and horn orchestrations intended to add greater musical depth were taken out of the group's hands; as a result, they are vastly overused (appearing on all but one song!) and disappointingly conventional in style, making for an oil-and-water effect when heard against the group's rapidly maturing songwriting prowess. Still, it is for this songwriting growth that "Emotions" should not be dismissed, for underneath the producer's folly can be found the kinds of catchy pop tunes and Kinks-inspired character sketches that mark all the great Britpop of the period. The group lightens and expands their playing abilities beyond the derivative R&B of the first album and the brilliant, fuzztoned mod-rock of "Get The Picture", using acoustic guitars to greater measure and introducing their first real ballads, "The Sun" and "House Of Ten", which remain the highlights of the album (not-so-coincidentally, these two tracks, along with the engaging opener "Death Of A Socialite" are the few for which the orchestration sounds both adventurous and appropriate). Although the songwriting, conceptual flair and (especially) production would all improve by 1968's masterpiece "SF Sorrow", "Emotions" is worth a decent three-and-a-half stars overall; added to this, the new CD remaster's bonus tracks wisely include several unorchestrated versions of the songs, which bump the proceedings up to four stars. With your player properly programmed, you can now play this one alongside "Face
To Face" and "Between The Buttons" and see The Pretties' place suddenly fit into the musical jigsaw of the period at last.
3 di 3 persone hanno trovato utile la seguente recensione
HASH(0x9e428534) su 5 stelle Pretty Things - 'Emotions' (Snapper) 6 luglio 2008
Di Mike Reed - Pubblicato su Amazon.com
Formato: Rilegato in vinile Acquisto verificato
Originally released in 1967, this was Pretty Thing's third effort from what I could tell. Not as good as their other earlier titles like 'Get The Picture', 'S.F. Sorrow' or 'Parachute' but it's still decent. Main reason this lp is considered a failure is that most of the song arrangements are simply too elaborate {at least, for what they're doing}. Tunes I thought made this CD somewhat of a keeper are "Children", the snazzy "There Will Never Be Another Day", the hip "Out In The Night", both versions of "Photographer", the so-so "Bright Lights Of The City", the happening "Tripping" and the stellar "My Time" {possibly the best track of the entire CD}. Honestly, this disc should grow on you. Plus, you get seven bonus cuts. Maybe a bit more R&B that I expected, but 'Emotions' has maybe three bad songs in it's entirety. The bonus tracks help. Check it out.
3 di 3 persone hanno trovato utile la seguente recensione
HASH(0x9e428474) su 5 stelle A Fine Album Vandalized 19 aprile 2001
Di Randall E. Adams - Pubblicato su Amazon.com
Formato: Rilegato in vinile
I will honestly admit that the Pretty Things' pre-psychedelic era is my favorite but this first album by the former Fenmen backing Phil May and Dick Taylor is actually a really good record if you ignore the record company butchery. Listen to tracks like "There Will Never Be Another Day" while mentally erasing the horns and what you have are great examples of transitional "freakbeat/psychedelia." Even a fully psychedelic opus like "My Time" on which the horns should fit is fouled up by the fact that they are mixed in at twice the volume as the band itself.
If the original master tapes for this album are still available, my plea to somebody in the U.K. is "please restore this record to what the Pretties intended."
2 di 2 persone hanno trovato utile la seguente recensione
HASH(0x9e429e94) su 5 stelle Often Underrated! 21 settembre 2005
Di Morten Vindberg - Pubblicato su Amazon.com
Formato: Rilegato in vinile
"Emotions" was the third Pretty Things album, and it was radically different from the previous two, which were more or less typical British rhythm`n blues albums. On the second album "Get The Picture" they had already shown that they were very skilled songwriters, but with "Emotions" their musical ambitions led them into experiments with orchestral arrangements - or was it the record company that wanted to change their image? The album has often been criticized for being ruined by these Reg Tilsley strings and brass arrangements.

I agree that on some tracks these "outside" instruments do remove focus from the band and their music, but actually I think the album has aged very well. This is also due to some fine songwriting and great vocals from Phil May.

"Death of a Socialite" is a strong opener, great tune and vocals, and apart from the ending I think the arrangements works fine!

The single "Children" is a great catchy psychedelic-type song, practically Pretty Things with no "outside" interference. It was a minor hit in Denmark, and remember it being played regularly on Danish Radio.

"The Sun" is a quiet ballad. A version without strings is added as a bonus-track, so you can compare which you prefer. Personally I think I prefer the original strings-version, but both are great.

On "There Will Never be Another Day" the added instruments sound completely out of place; so it`s great that there is an undubbed version added. Probably one of the weakest tracks, though.

"House of Ten" is another fine quite number. The strings support the song discretely.

"Out in the Night" is not among the best songs, and the brass, makes it a track that I prefer jumping over. it would have been interesting to have this song with the Pretty Things alone.

"One Long Glance" is untouched by Tilsley; a good song that could have been from "S.F. Sorrow".

"Growing in My Mind" is another fine ballad.

"Photographer" is a Chuck Berry-type rocker; again the brass arrangement sound out of place, and again the "clean" version can be found among the bonus-tracks.

Unfortunately "Bright Lights of the City" cannot be found without orchestra. Could have been a much better track.

"Tripping" is "untouched" and a good song, sounds a lot like early Rolling Stones.

The original closing track "My Time" is more or less spoiled by brass-overdubs; thankfully a version without them had been added.

Besides the undubbed "Emotions" tracks, two more single-tracks have been included. Their great cover of the Kinks` "House in the Country" and their own minor hit-single "Progress" - also in an alternate version.


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