- Copertina flessibile: 127 pagine
- Editore: Design Studio Pr (31 agosto 2010)
- Lingua: Inglese
- ISBN-10: 1933492953
- ISBN-13: 978-1933492957
- Peso di spedizione: 699 g
- Media recensioni: 5.0 su 5 stelle Visualizza tutte le recensioni (4 recensioni clienti)
- Posizione nella classifica Bestseller di Amazon:
Framed Ink: Drawing and Composition for Visual Storytellers (Inglese) Copertina flessibile – 31 ago 2010
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Book by MateuMestre Marcos
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Principali recensioni dei clienti
utile a chi interessa capire la composizione dell'immagine attraverso esempi esaustivi
Perfetto sia per il fumetto che per il cinema
Le recensioni clienti più utili su Amazon.com (beta)
Although the illustrated examples are mainly movie composition, the techniques can be applied to animation, movies and even graphic novels. Every technique comes with a concise breakdown. You get to understand how and why shots are framed in a certain way, or how to create compositions to create a certain mood. There are also tips on lighting and continuity.
Over 200 beautifully illustrated examples are included. And they are really good examples. Just by looking at the examples alone, without even reading the commentary, you already get a good idea of what's happening.
Marcos Mateu-Mestre has distilled his 20 years of experience and knowledge into an accessible package you shouldn't miss out on.
This is the essential how-to book for storytellers, or for anyone who needs to put images on screen or on paper.
You can check out more of his work on his website.
(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)
Content is very good. It deals with setting up composition in an abstract way before adding detail. Information is shown in a easy to understand way. Abstract versions of different shots are shown next to more detailed drawings. Text is easy to understand.
Its the only book on have that connects storytelling and composition. I have some books about fine art composition that deal with some of the same things but most of the information in the books is new to me. It also answered questions I had about applying perspective in ways that fit the composition.
I'd recommend the book.
As for the book, it's one of the best, if not THE best books of it's kind out there. I've been waiting my entire career for a book like this...one that goes into detail about how to tell stories with pictures...one that doesn't just talk about how to draw, but how to think about drawing...one that explains how to create really powerful images, packed with emotion and dynamics...one that actually delivers the goods. And this book delivers!!! Yes, there have been other books on the subject, most of them with lots of abstract theories, and maybe even some good technical information. But they don't have what this one has...Marcos' drawings. Hundreds of them. And they're all to die for!
OK now for the down side: there's a bit of a wait to get the book. From what I understand, due to a printing glitch, there's been some delays getting the books to market. It was available at ComicCon, and Amazon had one shipment, which they sold out of instantly. But fear not, there are more on the way!!!
In other words, do yourself a favor and don't do what the unfortunate reviewer above did and just pass over this book because it's not available TODAY. Buy it now...because it's going to sell out...fast! Then you'll have to pay big bucks for it on eBay.
You can draw the most beautiful, eye-dazzling imagery and still have no "life" or sense of belivability in your paintings and sequences. Once you get a hold of Mr. Mestre's concepts regarding proper division of a frame, direction and meaning within your composition, you are bound to improve your painting-narrating skills almost immediately.
I will most definitely acquire Marcos Mateau-Mestre's future books, once they're out. If you want to improve your paintings, make them more powerful and meaningful, this book would be a great start.
He spends NO time on how you draw and all the time on how you SHOW what you draw. How setting characters up to seem more powerful and central. How to imply character relationship with spacial relationships. How to imply distance and movement. How to hint at many but draw few. How to dynamically frame action. This book really gets into the nitty gritty behind setting up the panel/page to give you the best coverage and easiest read.
His explanation of the 180 degree rule is phenomenal. He lays out some scenes then diagrams the camera moves. If you don't know the 180 degree rule he lays it out perfectly. If you do know the rule he illustrates why it works so well.
The section in the back is specifically for Graphic Novels but EVERYTHING is relevant. In fact the Graphic Novel section might be the least informative part of this book for comics.
I can't recommend this book enough. The amount of behind the panel information he gets you to think through will change the way you think about drawing your comic.