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Lawes: The Royall Consorts CD, Classica

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Digital Booklet: Lawes: Royall Consorts
Digital Booklet: Lawes: Royall Consorts
Solo album

Descrizione prodotto

Recensione

RECORDING OF THE MONTH: This excellent two-CD set from the Canadian company, Atma, presents all of Lawes' Royall Consort Setts played by specialists Les Voix Humaines... his chamber consort music is perhaps the most profound, affecting, penetrating and forward-looking of everything that he wrote... The Royall Consort Setts, however, are for two treble instruments (violins or treble viols), two bass viols and a continuo of two plucked stringed instruments. It's not hard to see with such a combination just how rich and emotionally strong the music was likely to be. Indeed it is; Les Voix Humaines are totally in accord with the idiom and they never rush. Listen to the Second Sett's, d minor, Pavan [CD.1 tr.5]… no rush, no hurry; yet no lingering either. They invite us to savour every bar, turn, phrase, segment where ideas either develop or go through transition. Lawes was among the first English composers to group his works into collections, suites - or ''Setts'' as he called them. Consisting typically of the dance movements with which we are now familiar - Aire, Alman, Galliard, Corant, Saraband - each Sett contains between two and five such. In itself this presents contrast and variety. The way that Susie Napper, Les Voix Humaines' director, has chosen to distribute the ten lovely works across two CDs adds to this freshness - particularly since all ten are written in only six keys, and six Setts in D. The recordings, with differing personnel and made four years apart, could presumably have fragmented this presentation of Lawes' work. That hasn't happened. For sure, we notice changes in dynamic, tempo and subject matter. The Sixth Sett's, D Major Alman [CD.1 tr.9], for instance, is springy and contains folk influences, whereas the Corant which follows it is measured and almost French in delicacy and restraint. The performers are intent on conveying the integrity, the sense of wholeness and seriousness of purpose with which Lawes must have gone into the enterprise. That is to say, they make a performance, an 'event', or an 'occasion' out of this wonderfully melodic and inventive music - and bring it fully to life. The 'echo' movement of the same Sett [CD.1 tr.10] provides - with all its effects or repetition and self/cross-references - the opportunity for fey, specious mockery. Not for Les Voix Humaines. Theirs is a serious, respectful approach. Yet it skirts mere reverence in favour of doing the best by Lawes. They convey the depth and beauty of what Lawes could do. Comparisons have been made with the music of Monteverdi - especially his (groundbreaking Fourth) book of madrigals, where the writing in the top and bass voices is allowed to predominate over that of the inner ones. The Canadian ensemble works this very well, yet manages to adhere to a fullness and gentle emotional palette which lacks nothing nor is ever forced. Technically, the six players are impeccable from start to finish... Finally, one of Les Voix Humaines' most significant achievements on these CDs is to have 'reconstructed' Lawes' music sufficiently successfully and with enough inner consistency, life and thrust for it not to sound like the reconstruction which such music from the era almost necessarily must. It's authentic and convincing in equal measure. Nothing spectacular, gaudy or forced. Everything suave, real and beautiful. The acoustic of the two CD set is warm, inviting and highly suitable to this gorgeous and wistful music, which is equally vibrant and lacks any sense of indulgence. Repeated listening is easy and is aided by the way in which the players' understanding has been projected... This is a release to treasure - especially since it's the only one in the current catalogue to gather all ten of the Royall Consort Setts as a unified collection. --Mark Sealey - MusicWeb international

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4 di 4 persone hanno trovato utile la seguente recensione
5.0 su 5 stelle Lawes Royall Consorts Consort des Voix Humaines 8 aprile 2012
Di E. S. Wilks - Pubblicato su Amazon.com
Formato: Audio CD
The Lawes brothers, Henry (1596-1662) and William (1602-1645), and occupy an important position in English music between William Byrd (1540-1623) and Orlando Gibbons (1583-1625) and the later 17th-century composers Matthew Locke and Henry Purcell. During his own lifetime, William was much respected by his colleagues in the service of King Charles I. Most of his music was written for entertainments at Court. He wrote in many genres, but was best known for his dance music and dramatic works, including masques, and especially for his creativity in chamber music. He studied with the well-known early 17th-century musician Giovanni Coprario (born John Cooper), who taught the bass viol to Prince Charles. When Charles became King in 1625, Coprario was his composer-in-ordinary. Lawes, who developed a reputation as a performer of the new 12-course theorbo (a larger, lower-tuned lute with extra bass strings), was part of this music circle. Lawes's death in 1645 was untimely; during the Civil War, he fought for the King and volunteered for military action at the Siege of Chester, which cost him his life. Lawes's extensive body of music includes the Royall Consorts, composed for two treble instruments (violins or treble viols), two bass viols, and a continuo for two plucked strings. Lawes developed the then-new custom of grouping his instrumental works into collections or suites, which he called "Setts." Each Sett opens with a Paven or a Fantazy, followed by a collection of Almans, Aires, Corants, and Sarabands and sometimes a Morriss, a Galliard, or an Ecco movement. Lawes also composed at least 11 Harpe Consorts.
This 2-CD set contains 10 Setts of Royall Consorts; the performances are, to my ear, exemplary, and the recorded quality is excellent. The well-written program notes are very informative. If early 17th-century music is to your taste, this 2-CD set will surely please you.
Ted Wilks


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