- Copertina rigida: 384 pagine
- Editore: Turner Pub Co; 1 edizione (18 gennaio 2013)
- Lingua: Inglese
- ISBN-10: 1118218086
- ISBN-13: 978-1118218082
- Peso di spedizione: 658 g
- Media recensioni: 5.0 su 5 stelle Visualizza tutte le recensioni (1 recensione cliente)
- Posizione nella classifica Bestseller di Amazon: n. 246.990 in Libri in altre lingue (Visualizza i Top 100 nella categoria Libri in altre lingue)
- Visualizza indice completo
Making Rumours: The Inside Story of the Classic Fleetwood Mac Album (Inglese) Copertina rigida – 18 gen 2013
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‘A compelling insider’s account that should ensure you never again listen to Rumours in quite the same way.’ (Q Magazine, February 2013)
Dalla seconda/terza di copertina
Rumours generated four top–ten singles, topped the Billboard album charts for thirty–one weeks, and won the Grammy Award for Album of the Year in 1977. It went on to become the fifth bestselling album to dateforty million copies and countingand Rolling Stone′s twenty–fifth greatest album of all time. And it turned a band that had struggled to make a name for itself for nearly two decades into a household name. In Making Rumours, the album′s coproducer Ken Caillat tells the wild, poignant, and exhilarating story behind the album′s creation. Its potent combination of rock–star melodrama, technical insights, and compelling portraits of five brilliant but troubled young artists at their creative peak will forever change the way you hear the album. Trouble was brewing well before sessions began at the Record Plant in Sausalito in January 1976. John and Christine McVie were getting divorced. Stevie Nicks and Lindsey Buckingham had joined the band as a couple more than a year earlier, but now they were in a constant state of war. And, unknown to anyone but Caillat′s coproducer, Richard Dashut, drummer Mick Fleetwood had just learned that his wife was divorcing him and taking up with his best friend. From the first session, which featured the rudiments of "The Chain" and John McVie improvising the critical bass part that ties it all together, to the final sessions that tempered and polished the songs′ vocals, Caillat reveals how these conflicts, fueled by drugs, alcohol, and the pressure of making the album, tore the band apart. But making the music pulled them back together. Stevie and Lindsey had screaming matches between takes of "You Make Loving Fun," and John and Christine bickered constantly. During takes, however, everyone collaborated brilliantly and did whatever it took to get the sound they needed. Lindsey played a beat against a leather chair on "Second Hand News"; Mick stood atop a ladder, tossing sheets of glass to the floor for the haunting end of "Gold Dust Woman"; and Christine, at Ken′s suggestion, took the stage in an empty theater to record her splendid "Songbird" vocal. Woven through all of this drama and artistry, Caillat presents a virtual master class in how to produce a great album. He describes everything from microphone placement and how to liven up a "dead" room to how to work with difficult artists and what to do when your master tape begins to degrade nine months into the process. Packed with scores of never–before–published photos from Caillat′s personal collection, Making Rumours is a must–read for Fleetwood Mac fans, rock history buffs, and anyone who loves a behind–the–scenes account of great musicians at work and play.Visualizza tutta la Descrizione prodotto
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Principali recensioni dei clienti
Altamente consigliato a tutti coloro che adorano questo disco e vogliono saperne un po' di più sulla sua genesi.
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The rest of the book bounces between utterly irrelevant stories about his dog. And random girls. Caillat tries very hard to give the impression that he was a ladykiller. It's a little pathetic. He ends up coming across as a huge nerd.
Calliat also has a tremendous, enormous ego and is more than happy to give the impression that he was a Svengali that created Rumours using the random cast offs from a bunch of drug addled, sociopathic misfits. Reading "Making Rumours" is to know that Ken Caillat was the single most critical component of that album's creation. Caillat was clearly important, but he seems a little delusional here.
Finally, the book reads as a bit of a hit piece on Lindsey Buckingham. The back story is that the author sold his publishing company on the premise that he could provide insider info and interviews with the principle players. Buckingham asked the rest of the band not to participate, which obviously made Caillat's life difficult. This, in addition to the fact that Fleetwood Mac hasn't used Caillat in many years, results in a common thread of bitterness that runs throughout the book - manifesting most acutely against Lindsey Buckingham. Again, a little pathetic.
A great book when it comes to technical info. Some dirt to read, if you are into gossip, but the whole thing leaves a bad taste in the mouth. I regret buying it.
- If you are a music techie (have recorded before, or genuinely interested in the process), there are a lot of interesting parts on how certain sounds were produced, the types of mic's, amps, instruments used, etc...
- The book is very well organized. Chapters are divided by song, so if you are interested in certain songs and not others, it's easy to jump right in. The reference/source guide at the back of the book is extremely detailed, and it's easy to find where any name/part/song/instrument/etc is used in the book.
- Caillat either has the most amazing "Rain Man" like memory in history, or took the most extremely detailed notes on every moment of the day (which would be hard to believe, since his hands were full at the mixing board with five demanding musicians...and admitted he took his share of drugs to boot, which would draw the accuracy of those notes to question). Not humanly possible to recall every last word of every conversation like he recites in the book, and it's quickly obvious that parts were embellished. Even the arguments concerning the crumbling relationships of the band members - which was one of the major issues behind the making the album - don't read as genuine, and seem trite or cooked up. This calls into question the rest of the book, but I'll give Caillat the benefit of the doubt on the recording process and technicalities. He also goes into detail about everything his dog does, which is "cute" (I guess) at first, but quickly gets old. "He licked me on the face as if to say 'everything is going to be fine'". You get the picture.
- Caillat feels the need to pat himself on the back and toot his horn (apparent in the opening intro before the real book even begins), and also inserts all his personal trials and tribulations over the women he was interested in. He makes sure we're aware he slept with the girl at the front desk (deciding not to end a chapter just saying he went over to her place that night, but adding that he fully closed the deal, just in case we're unsure), and also makes us fully aware he slept with another hot girl during the recording. He inserts photos of the girls as proof, including one of him in bed with one of them, and another photo of him leaving another's house "the morning after." Awesome Ken! You are a rock and roll stud, we get it. But most people didn't buy the Making of Rumors to learn about this, or about your major internal conflict over whether you like the brunette or the blonde - whose hair "sparkled in the morning sun" (yep, that's in there) - better.
Because of the cons mentioned above, I found myself skimming many chapters, and focussing on just on certain parts. This book could easily have been 100 pages.
The pictures in the book should have been larger -- lots of them but even a magnifying glass doesn't help much. I would have liked to read more about Stevie & Lindsey but that's another book I wish someone would write.
I like this book much more than Carol Ann Harris's story of her relationship with Lindsey Buckingham. From reading Caillat's book, it's clear that Harris came in at the very tail end of Rumours but she writes as if she was in the trenches with them all along.