EUR 128,00

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EUR 113,00
+ EUR 15,00 di spedizione

Venduto da: musicinn_strumentimusicali

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Microfono Stereo a Condensatore MS, mid-side). Composito di 1 Mic unidirezionale e 1 Mic DX/SX

di Zoom

Prezzo:	EUR 128,00 Spedizione GRATUITA. Maggiori informazioni

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Nuovi: 2 venditori da EUR 128,00

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Questo prodotto è compatibile con .

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Modello: ZOOM MSH-6
Tipologia: Microfono Mid-side per h5/h6
Microfoni: 1 x unidirezionale, 1 x bidirezionale
Registrazione Mid-Side
Decoder MS

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EUR 99,00

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Specifiche prodotto

Peso articolo	86,2 g
Dimensioni prodotto	9,4 x 9,9 x 8,4 cm
Numero modello articolo	MSH-6
Tipo di connettore	/

Ulteriori informazioni

ASIN	B00N2A6V94
Media recensioni	Recensisci per primo questo articolo
Peso di spedizione	113 g
Disponibile su Amazon.it a partire dal	2 marzo 2017

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Amazon.com: 137 recensioni

Clarence Wolbrette

Long review - non technical - worth reading - this mic soars past its price.

22 ottobre 2015 - Pubblicato su Amazon.com

Acquisto verificato

I'm a gadget hoarder, I confess. When the SSH-6 came out a few months ago I had no idea if would ever use it, but for years I've had great luck with Zoom products performing way above their price point. This mic is no exception. I record for the Louisiana Philharmonic - for archival reasons, not publication. Still, over the years they have come to expect from me clear, full bodied, natural reproductions of their concerts. for the last ten years I have used zoom portable recorders with medium to high end outboard midside stereo mics (in the $1000 - $1500 range) with very satisfactory (i.e. high "Wow!" factor) results. For the 2015-2016 LPO season I have been thrown a curve ball. The orchestra has moved into a beautiful and spacious new venue. Unfortunately, for aesthetics, using a tall mic stand close to the orchestra is no longer permitted, and flying a mic is not yet possible in this newly renovated 1920's era theater. What to do? The first balcony is about twenty five yards from the stage. When I tried my super duper mics hung from the balcony, it sounded great - except it sounded like it was being recorded from twenty five yards away! I gave a sample to our local NPR affiliate for possible local broadcast and they said it sounded like it was recorded in mono (it was not). Since then I've tried Decca trees, Omni Stereo spreads, everything I could think of with the mics I had and the distance I was forced to set up at. I got some very nice sounds, but the nicer the sound, the less mono compatible they would be ( a requirement for FM broadcast). Yesterday at rehearsal I had nothing to lose, so in a desperate Hail Mary, I put up my SSH-6 and my AT4050ST side by side, both at widest possible field matrix setting, and both recording into my R6. When I got home and popped my card into my stereo, guess what - It was almost impossible (by ear) to distinguish between them. Sure the AT was smoother in the basses, the SSH-6 was a little prickly in the violins, but overall the biggest difference was the SSH-6 had a wonderful, cinematic, stereo field - and was 100% mono compatible. At rehearsal today I went strictly with the R6/SSH combo. I feel like I'm cheating. Here's a short clip:
https://www.dropbox.com/sh/cvp6y7x9cgyta10/AABF47VrHZbb1nZw0Wbed1uma?dl=0
The performance is tomorrow, and I'm going to make a decent recording from terrible location.
(disclaimer - for those of you who can immediately tell that this is the sound of a lesser mic, you are of course correct. That's not the point. The point is, in THIS particular situation, this mic outperforms the big boys. Please spare me unpleasant responses which restate the obvious - as soon as I can fly a mic in a good placement, it won't be this one - but until then, this was a fantastic $149 investment.)
Having gushed so much, there is one serious problem with the mic that I hope a firmware fix is possible. When I used it yesterday with other mics going into the other four channels (all with phantom power on), every time I changed the gain on the SSH6, the other channels would go crazy with loud hissy distortion which I could only get rid of by taking it out of record completely and powering off. This really limits its usefulness as a multitrack recorder. I'll work on contacting Zoom about this and put an update on this review when I know something. In spite of this big flaw, I'm giving it five stars - it is an invaluable tool in my gadget bag.

69 persone l'hanno trovato utile.

Tim DaGraca

The ZOOM H6 is not complete without this.

16 febbraio 2015 - Pubblicato su Amazon.com

Acquisto verificato

Let's get one thing straight. If you are going to be doing interviews, or anything that requires the focusing on a sound "source" directly in front of you, then you need this mic. I have used Røde miss before and while they are good, they don't offer on-board sound processing and monitoring. This microphone does. If you are in an environment that all of a sudden gets noisy, turn the dial/gain down on the microphone as well as the Zoom H6 body and you are able to compensate. You can't do that with an on-board mic on your DSLR unless it's high end (2500k or more, usually) nor can you do it with the Røde mic, and thats not to throw jabs. It's just the truth.

The pickup pattern on this microphone is like a slim triangle...sound falls off from the sides so that the source in front gets paid the most attention.

The item is very well made, and feels extremely sturdy. I wouldn't allow it to be dropped multiple times though as its most likely aluminum and has some soft elements to it. It will scratch or dent if you are not careful...and like to drop it on surfaces like cement.

31 persone l'hanno trovato utile.

Michael S.

Very convenient mic with great sound

2 luglio 2017 - Pubblicato su Amazon.com

Acquisto verificato

I do videos for youtube and for friends. Most are on site interviews at events and local sites. I had been using an XY mic and XLR lav mics for a year. and it worked well. However, I wish I had gotten this shotgun mic earlier. It's much easier to catch sound clearly whether around town, at the beach, indoors at events. I'm a one-guy videographer, so having the mic attached to the end of my Zoom X5 is very convenient as so many available hands. A separate mic would be more difficult when I'm on the move. 5 stars.

8 persone l'hanno trovato utile.

Pat Bollin

Professional Quality Gear

13 marzo 2017 - Pubblicato su Amazon.com

Acquisto verificato

I've been using this for about 6 months to add a third dynamic vocal mic to my podcast productions that I record with the Zoom H5. I have to turn up the gain a little higher than the mics that are connected to line 1or 2 in the Zoom, but otherwise I get a good, clean signal every time.

The build quality is great. Its mostly metal, and just feels sturdy. You do have to be careful with connecting it to the body of the Zoom, though, as there is some plastic involved with the coupling mechanism.

Overall, this is a solid piece of professional quality gear.

5 persone l'hanno trovato utile.

Joe

Great for live performamces.

29 marzo 2017 - Pubblicato su Amazon.com

Acquisto verificato

Excellent live concert recording! Used with the zoom H6, this SSH-6 sounded great. For a listen, go to you tube and search Anchorage junior youth symphony the adventure begins. Picked up wood blocks and chimes with ease at 35 feet plus away. Very clean sound.

6 persone l'hanno trovato utile.

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