"Meticulously researched and highly readable. St John covers every imaginable aspect of DMT’s place in the Western aesthetic and intellectual landscapes. Setting down his book, I came away with a new appreciation of just how embedded the DMT meme has become."
—Rick Strassman MD, author of DMT: The Spirit Molecule, DMT and the Soul of Prophecy, and clinical associate professor of psychiatry, University of New Mexico School of Medicine
"Graham St John’s book on DMT untangles the threads of this holy molecule, from anthropological antiquity to labs in Hungary, from hipster soothsayers to visionary art at festivals, including some of the best descriptions of the wonderfully weird tryptamine worlds inside all of us. Read Mystery School in Hyperspace and appreciate the miracle in our midst."
—Alex Grey, artist, and author Net of Being
“Combining the breadth of a scholar, the savvy of an underground journalist, and the open spirit of a radical empiricist, Graham St John has written the definitive cultural history of the weirdest molecule on the planet (and in your body). Mystery School in Hyperspace tells amazing tales, sheds light on the shadows, and brilliantly referees the ongoing psychoactive rumble between the sacred and profane.”
—Erik Davis, author of Techgnosis: Myth, Magic, and Mysticism in the Age of Information
"Scholars and psychonauts alike will find much to appreciate in this lucid, thoughtful, provocative, and thoroughly enjoyable cultural history of DMT. Meticulously researched and beautifully written, Mystery School in Hyperspace is remarkable in its deft interweaving of neurochemistry, countercultural thought, spirituality, and the arts. In years to come, anyone with a serious interest in the socio-cultural significance of induced altered states will have read this book."
—Christopher Partridge, Professor of Religious Studies, Lancaster University, UK.
“Mystery School in Hyperspace is the textbook history of DMT for serious students of transdimensional evolution.… Graham St John's tour de force through the tapestry of alchemists, hippies, DJs, scientists, shamans, mystics, and seekers of the mystery that DMT reveals is an exhilarating ride and a thoroughly researched achievement. St John successfully builds up a historical profile of both dimethyltryptamine and the quest to understand it, piercing the mystery to bring back translinguistic trip reports that illuminate the central gnosis of our time. As the latest generation of psychonauts explores the invisible landscape of Terra Incognita, Mystery School in Hyperspace could very well be the map that we have all been looking for."
—Rak Razam, director of Aya: Awakenings
“Boldly going where no one had gone before, Graham St John takes his readers on a properly hallucinatory yet extremely well documented tour through the history of DMT. Analyzing six decades of radical countercultural experimentation and exploration at the limits of human consciousness and beyond, this is a significant contribution to the emerging study of entheogenic religion"
—Wouter J. Hanegraaff, University of Amsterdam
"Wrap your mind around the most ubiquitous and profound psychedelic on the planet, DMT! A multidimensional journey that provides a smorgasbord of information, and will give seasoned psychonauts, dogmatic academics, culture aficionados, and frankly any curious mind, plenty to chew on."
—Mitch Schultz, founder of MYTHAPHI and director of DMT: The Spirit Molecule
Graham St John grew up in Australia, and holds a PhD in cultural anthropology, specializing in electronic dance music event-cultures, freak rituals and media, neotribes and entheogens. St John has authored several books, including Global Tribe: Technology, Spirituality and Psytrance (Equinox, 2012), Technomad: Global Raving Countercultures (Equinox, 2009), and the forthcoming Weekend Societies: Electronic Dance Music Festivals and Event-Cultures (Bloomsbury). The author has been awarded postdoctoral Fellowships in Australia, United States, Canada, and Switzerland, where he recently began researching the global Burning Man diaspora in Europe. A frequent speaker at conferences, dance festivals, and visionary arts gatherings, he is also the founding Executive Editor of Dancecult: Journal of Electronic Dance Music Culture.