- Copertina flessibile: 223 pagine
- Editore: Alfred Pub Co (giugno 1971)
- Lingua: Inglese
- ISBN-10: 0739022121
- ISBN-13: 978-0739022122
- Peso di spedizione: 726 g
- Media recensioni: 5.0 su 5 stelle Visualizza tutte le recensioni (1 recensione cliente)
- Posizione nella classifica Bestseller di Amazon:
Technical Exercises for the Piano: Liszt: Alfred Masterwork Edition (Inglese) Copertina flessibile – giu 1971
|Nuovo a partire da||Usato da|
- Scegli tra gli oltre 8.500 punti di ritiro in Italia
- I clienti Prime beneficiano di consegne illimitate presso i punti di ritiro senza costi aggiuntivi
- Trova il tuo punto di ritiro preferito ed aggiungilo alla tua rubrica degli indirizzi
- Indica il punto di ritiro in cui vuoi ricevere il tuo ordine nella pagina di conferma d’ordine
Chi ha acquistato questo articolo ha acquistato anche
This 223-page edition is comprised of 86 different technical exercises composed by Liszt during 1868 to 1880. Liszt intended these highly challenging exercises to build greater performance skills in virtuoso pianists. The complete series consists of twelv
Non è necessario possedere un dispositivo Kindle. Scarica una delle app Kindle gratuite per iniziare a leggere i libri Kindle sul tuo smartphone, tablet e computer.
Per scaricare una app gratuita, inserisci il numero di cellulare.
Garanzia e recesso: Se vuoi restituire un prodotto entro 30 giorni dal ricevimento perché hai cambiato idea, consulta la nostra pagina d'aiuto sul Diritto di Recesso. Se hai ricevuto un prodotto difettoso o danneggiato consulta la nostra pagina d'aiuto sulla Garanzia Legale. Per informazioni specifiche sugli acquisti effettuati su Marketplace consulta… Maggiori informazioni la nostra pagina d'aiuto su Resi e rimborsi per articoli Marketplace.
Principali recensioni dei clienti
Le recensioni clienti più utili su Amazon.com (beta)
I would recommend that anyone who is serious about learning the piano gets this book. Most exercises you might not be able to study at first, if you're not already at a very advanced stage, but at least from 1 - 5, I would recommend to anyone and everyone, at any level (with teacher guidance as to avoid doing it wrong!). These exercises in particular require you to hold four fingers down and play with one in each hand, making use of several different rythms and a dynamic that ranges from pp to ff in each finger, which is fantastic for your finger health. From this, the exercises develop and scale in difficulty, aiming to make each finger and both hands completely independent and free from each other. This will, of course, require a lot of time, patience, dedication and effort from the student, as it is a very complete method, covering just about everything you'll possibly meet on a keyboard.
About the edition, the book is big and the print is dark and clean, which makes for fantastic reading, and it also has helpful guiding lines before different exercises by Esteban which helps with getting the best results out of it. The one problem I have with it is that it doesn't sit open very well at the piano, but this can be fixed by using some pegs to hold it. Overall, I'm extremely satisfied with this, as it is better, and probably cheaper!, than printing over 200 pages from the IMSLP.
I studied many years with Robert Goldsand, who studied with Moritz Rosenthal, who studied with FRANZ LISZT!!! One of the staples of the tecnical repertoire[under Goldsand] were the scales in Double Thirds and Double Sixths.Alas after carefully scrutinizing the fingerings of the Double Thirds and Double Sixths, I found a few differences of opinion with Herr Goldsand.... but there is enough information there that you will still get usable information for developing your tecnic!!! Enjoy, and "Courage" as Goldsand's advice used to be!
My friend, it's time for these Liszt Technical Exercises to see what you're really made of.
These are not simple exercises. Oh sure, they start out simple, like they always do, but from there...let's just say you'd better have a pretty advanced technique to play these up to speed. As others have mentioned, dynamic markings make their presence felt, and you'd better know how to deal with them. But that's not really the crux of these exercises. They are made for advanced pianists with advanced technique, so unless you have it, I recommend going back to some easier exercise books (as mentioned above) and making sure you can play those at an advanced speed (108bpm tends to be the objective).
To sum up: this is the final book of piano exercises you'll ever need. Start with Schmitt and end here. In the meantime you'll have enough technique to tackle ANY existing piano piece. And when you finish, know that the only thing standing between you and concert piano stardom is YOU, because certainly you have the raw ability to play any piece you want.