"A unique book on Japanese ukiyo-e woodblock prints, and one that is essential reading for all collectors, cultural historians and anyone intrigued by this endlessly fascinating subject!" —Peter Grilli, President, Japan Society of Boston
"This is a fine and passionate contribution to the vast literature on the Japanese print." —Alexandra Munroe, Samsung Senior Curator of Asian Art, Guggenheim Museum
"Created by an artist and interior designer, Ukiyo-e: The Art of the Japanese Print directly reflects the sensitive eye and professional polish of its author." —Kendall H. Brown, Professor of Asian Art History, California State University, Long Beach
"An excellent book for someone just first getting into Japanese prints…[Goes into fuller detail than many other books do as to the block-carving and printing process itself, including brilliant photos of the chisels and baren and how they were used, and of a key block and its resulting printed image, visually demonstrating the process beautifully," —Nubui Kuduchi
"This book will appeal to anyone who's interested in traditional Japanese culture." —Tokyo 5
"Illustrated with only the choicest selections, Harris's book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players" —Tokyo Jinja
An artist himself, author Frederick Harris—a well-known American collector who lived in Japan for 50 years—pays special attention to the methods and materials employed in Japanese printmaking. The book traces the evolution of ukiyo-e from its origins in metropolitan Edo (Tokyo) art culture as black and white illustrations, to delicate two-color prints and multicolored designs. Advice to admirers on how to collect, care for, view and buy Japanese ukiyo-e woodblock prints rounds out this book of charming, carefully selected prints.