- Copertina rigida: 320 pagine
- Editore: Thames & Hudson; 01 edizione (13 aprile 2017)
- Lingua: Inglese
- ISBN-10: 0500519323
- ISBN-13: 978-0500519325
- Peso di spedizione: 1,4 Kg
- Media recensioni: 4.5 su 5 stelle Visualizza tutte le recensioni (2 recensioni clienti)
- Posizione nella classifica Bestseller di Amazon: n. 5.629 in Libri in altre lingue (Visualizza i Top 100 nella categoria Libri in altre lingue)
Vinyl, Album, Cover, Art: The Complete Hipgnosis Catalogue (Inglese) Copertina rigida – 13 apr 2017
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'Anyone who has an interest in music, art or visual culture should pick up a copy of this book … sublime' -- .Cent Magazine
'Thrillingly recalls those many happy hours spent flipping through album racks in record shops … how endlessly inventive yet consistently dazzling Hipgnosis covers were' -- The Spectator
'With their blend of surrealism, sex and suburban ennui, Hipgnosis defined album cover art in the prog-rock era' -- The Guardian
Hipgnosis 'were almost single-handedly responsible for an industry-wide shift in artwork aesthetic' -- Dazed
'Their trailblazing sleeves ... were so effective that they framed listeners' perception of a the act, making them seem sexy, profound, enigmatic, other-worldly or impossibly cool usually all at the same time' -- The Economist: 1843
Hipgnosis 'produced some of the most memorable record covers of the 60s, 70s and 80s' -- PORT
'Think of iconic album covers, and one name immediately springs to mind Hipgnosis ... this beautifully crafted and presented book [contains] everything you need to know about this astonishing creative team' --The Afterword
'Surreal designs became the Hipgnosis trademark and their wild imagination is there for all to see in this beautifully produced book with stunning full-colour reproductions of every single cover' --Lancashire Evening Post
'A fun trip down memory lane' --FQ Magazine
Dalla seconda/terza di copertina
The complete, definitive and never-before-published catalogue of Hipgnosis, 'Vinyl * Album * Cover * Art' finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary 'Taken by Storm' (2011), 'designed half your record collection'.
Founded in 1967 by Storm Thorgerson, Aubrey 'Po' Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design.
Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle, T. Rex, Wings, Yes and XTC, to name but a few.
Arranged chronologically, 'Vinyl * Album * Cover * Art' features stunning reproductions of every single Hipgnosis cover - 372 in total - coupled with detailed information by Po and Storm Thorgerson on the artworks and the compelling stories behind their creation. Additional contributions by Peter Gabriel, Marcus Bradbury, and Pentagram's Harry Pearce provide engrossing insights into the way these incredible artworks came into being; place the covers in context; and reflect on their enduring impact on album design.
A highly accessible stand-alone volume, 'Vinyl * Album * Cover * Art' will also make the perfect pop partner to the groundbreaking 'Hipgnosis | Portraits' (2014) with its rare revelations and behind-the-scenes photography.
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"You would be insulted, laughed at, entertained and challenged, but you could be certain Hipgnosis would deliver." Peter Gabriel.
Finally, the complete album artwork from Hipgnosis in a format that combines an art book and a true catalogue. In a nutshell--the reproductions are crisp and clean. There's informative captions for each album that oftentimes go beyond simple album information. The size of the book (approx. 7 3/4" X 91/2") is a bit too small to adequately display a number of covers--from one to a page, to a few two page spreads, to four covers per page. But as I said, the reproductions, and the fact that this is the complete catalogue, and not just simply an art book with pieces chosen from the entire catalogue of work, goes a long way in making this book worth owning for Hipgnosis fans (like me) who want all the artwork in one book. There's no dust jacket and the outer boards are a textured white which will attract finger smudges if that's a concern--but it does look classy. This book is somewhere between four and five "stars" because I wish the size of the book--hence the reproductions--would be larger, but this is closer to five "stars". To each his own on the book/reproduction size matter. There's a mistake on page 151 which shows four album covers on one page. Cover number 1 ("Nazareth") and cover number 4 ("Hydra") should be reversed according to the captions below the covers--but that's a minor quibble.
The book has a Forward by Peter Gabriel ("Although many creative folk passed through Hipgnosis, it was driven and defined by the three partners, the wild, the weird, and the wonderful."), plus an Introduction bu Aubrey Powell on Hipgnosis ("When the sky's the limit you push yourself to the limit too."), and a 1977 essay by Storm Thorgerson on "How To Design A Record Cover.".
The artwork is arranged chronologically from 1967 through 1984. Beginning with a Laurel Aitken album "Says Fire" and Pink Floyd's "Piper At The Gates of Dawn (a substitute cover), both from '67, to "About Face" by David Gilmour, "Now Voyager" from Barry Gibb, and "Hey Drag City" a various artists set (all from '84), everything is here. Finally, to finish things up there's a chapter titled "Outro" with a piece by Marcus Bradbury on working at Hipgnosis. There's a much needed index of album titles for easy reference.
The quibble about the book's size aside, I really like this book the more I get into it. The colors are accurate and pretty stunning and details are crisply rendered on a semi-matte paper stock surface. The captions oftentimes go beyond standard album information with personal, sometimes pithy comments ("Clifford T. Ward wanted a portrait, so he got one. Clifford doesn't look very happy though, and neither were we.") which add depth and interest and introduce a more human element to the catalogue. This book can easily sit on the shelf next to other books on Hipgnosis. Hipgnosis artwork fans, miss this catalogue and it's your loss.