Publisher's Weekly starred review for Volume 1: "Laird Barron and Michael Kelly amply prove that weird fiction can fill an anthology with delightful and surprising stories."
This is Horror: "The Year's Best Weird Fiction triumphantly lives up to its title."
Acclaimed editors Helen Marshall and Michael Kelly bring their editorial acumen to the fourth volume of the Year's Best Weird Fiction. The best weird stories of 2016 features work from Dale Bailey, Gary Budden, Octavia Cade, Indrapramit Das, Malcolm Devlin, Jeffrey Ford, Camilla Grudova, Daisy Johnson, Katie Knoll, Usman T. Malik, Sam J. Miller, Irenosen Okojie, Aki Schilz, Johanna Sinisalo, and Sarah Tolmie.
No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.