Whatever this task is, Emilio Santini - the main character of this story - and his friends, do not want to learn to move forward. They hang on, the only street they know is the one of the front door, where they have been living since the '70s, when they were kids, in a suburb of Rome. On the background of a season marked by social tensions, they observe the flow of life with indifference, convinced that getting busy does not help in this system because nothing can change. They have sterile motivations, they have childish justifications, life is good for them as it is, they have settled in the front row of daily greyness to attend the cycle of seasons.
In the messy chronicle of reported events that lead to the transition from the first to the second republic in Italy, Emilio and his old friends are preparing to live the new course supporting the rise of a rampant politician. Soccer and rock music are their only reasons for living, but they believe they can find in the congressperson Andrea Franzoni, a dear old friend of theirs, a shortcut to the difficulties of human life.
Emilio - a Beatles enthusiast - earns little money as a guitar teacher, the Reserved works when he feels like it, distributing advertising fliers, the Blasphemy works in the deli of a relative, always after 10 a.m. and never past 1 p.m., the Cobra makes a living as a driver in poorly licit works, and Rigatone is a rock music photographer.
There is an unfinished business, however, that everyone has with the politician and this will awaken them from the long sleep, giving an assist for the revenge and stem the maturated cynic.
History of a generation afflicted by Pete Best Syndrome.
"No one could be John, Paul, George or Ringo, but we all are Pete Best and in one way or another we had to live with what was left".